PawanKalyan’s Latest flick “TeenMaar” has finally released today with a lot of expectations. PawanKalyan has played dual role in this movie as MiachaelVelayudham and ArjunPalvai. Trisha and KruthiKurbandha are the lead roles in this movie. This is the story of a lover who inspires and finds a solution to his story from the success story of another person. Trivikram has written story and dialogues.He cooked up the bollywood hit movie “LoveAjKal” story added some salt and pepper to it and finally handed over to PowerStar. Jayanth.C.Paraanjee is the director of the movie. Trivikram has moulded the picture in complete funny way so that it had reached the audience easily. Finally Powerstar has not disappointed his fans this time.
Story: Michael Velayudhan (Pawan Kalyan) is a guy, who doesn't believe much in love and marriage. His dream is to get into Mason BrickMann in Wall Street. He runs into Meera Shastri (Trisha]) and they start seeing each other. He breaks up with Meera when she goes to India to be a conservation architect. Both try to move on.
Meera befriends Sudhir (Sonu Sood), son of a politician, and marries him for a day before she calls it splitsville.
Concurrently there's another love story of Arjun Balwai (Pawan Kalyan) and Vasumati (Kriti Kharbanda) set in Varanasi and Allahabad being narrated by Senapati (Paresh Rawal ), who says Arjun is his close friend. Both these stories portray love in various shades. Despite moving on after the break-up, Michael and Meera can't forget each other.
Analysis: Dialogues has been received a great applause from the audience that are delivered by PawanKalyan.ScreenPlay is extraordinary mainly mixing up the scenes are awsome.
There were moments when the film slows down. The length of the film is a deterrent. The movement back and forth between the retro rewind and the present may seem confusing to some people and even the notions of love as the film mentions (long distance relationship and so on). In that sense, it's an urban film.
Since it's a Pawan Kalyan film, Jayanth has ensured some action sequences showcasing his heroism where he rescues some girls from the local 'goons' are depicted. Pawan also eloquently speaks Italian. And even in the retro role, he is at ease with his 'student' role. Pawan looks good, and ably carries the film on his shoulders with his acting.
He is largely aided by Trivikram Srinivas who is at his best with his dialogues which are punchy and whacky when needed.
Trisha and Kriti made pretty pictures and acted according to the demands of the roles. Trisha looked ultra glam in her role, while Kriti looked traditional. Trisha complemented Pawan and together they made a good pair. Paresh Rawal, Mukesh Rishi and Sonu Sood did not have much to do in the film.
PlusPoints: Pawankalyan, Screen Play,Songs Picturization,PawanKalyan Dance. Heroines Glamour.
Negatives: Story is too long, some scenes in second half are little boring.Story: Michael Velayudhan (Pawan Kalyan) is a guy, who doesn't believe much in love and marriage. His dream is to get into Mason BrickMann in Wall Street. He runs into Meera Shastri (Trisha]) and they start seeing each other. He breaks up with Meera when she goes to India to be a conservation architect. Both try to move on.
Meera befriends Sudhir (Sonu Sood), son of a politician, and marries him for a day before she calls it splitsville.
Concurrently there's another love story of Arjun Balwai (Pawan Kalyan) and Vasumati (Kriti Kharbanda) set in Varanasi and Allahabad being narrated by Senapati (Paresh Rawal ), who says Arjun is his close friend. Both these stories portray love in various shades. Despite moving on after the break-up, Michael and Meera can't forget each other.
Analysis: Dialogues has been received a great applause from the audience that are delivered by PawanKalyan.ScreenPlay is extraordinary mainly mixing up the scenes are awsome.
There were moments when the film slows down. The length of the film is a deterrent. The movement back and forth between the retro rewind and the present may seem confusing to some people and even the notions of love as the film mentions (long distance relationship and so on). In that sense, it's an urban film.
Since it's a Pawan Kalyan film, Jayanth has ensured some action sequences showcasing his heroism where he rescues some girls from the local 'goons' are depicted. Pawan also eloquently speaks Italian. And even in the retro role, he is at ease with his 'student' role. Pawan looks good, and ably carries the film on his shoulders with his acting.
He is largely aided by Trivikram Srinivas who is at his best with his dialogues which are punchy and whacky when needed.
Trisha and Kriti made pretty pictures and acted according to the demands of the roles. Trisha looked ultra glam in her role, while Kriti looked traditional. Trisha complemented Pawan and together they made a good pair. Paresh Rawal, Mukesh Rishi and Sonu Sood did not have much to do in the film.
PlusPoints: Pawankalyan, Screen Play,Songs Picturization,PawanKalyan Dance. Heroines Glamour.
Some Dialogues: "Andhamga ledhani amani Kopamga unnadani Naanna ni Vadhileyyam kadha."
" Devudu elanti vadu ante dippa midha okati peeki edche lope chethilo chocolate pedathaadu."
Rating: 3.5/5
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